Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations.
Chapter 1 Broken Symmetries; Chapter 2 Developing the Negative; Chapter 3 Spatial Envy; Chapter 4 The Golden Apple; Chapter 5 Theatre and its Mother; Chapter 6 White Men and Pregnancy; Chapter 7 The Ontology of Performance; Chapter 8 Afterword;
